Italian High Renaissance Painter and Inventor, 1452-1519
ID de tableau:: 10075
The Baptism of Christ Le Baptême de Christ 1472-1475. Oil and
tempera on wood.
Uffizi Gallery,Florence 1472-1475. Huiler de le et la détrempe sur le bois. La Galerie d-Uffizi, Florence Italian High Renaissance Painter and Inventor, 1452-1519
Italian Baroque Era Painter, 1578-1660
Albani's students included Pier Francesco Mola and Andrea Sacchi
ID de tableau:: 10739
The Baptism of Christ Le Baptême de Christ 1630-35, oil on canvas, Mus??e des Beaux-Arts, Lyons 1630-35, huiler sur le canevas, les Beaux-Arts dedes de Musee, Lyons Italian Baroque Era Painter, 1578-1660
Albani's students included Pier Francesco Mola and Andrea Sacchi
Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia).
ID de tableau:: 19845
The Baptism of Christ Le Baptême de Christ 1490-1500
Kunsthistorisches Museum, Vienna. 1490-1500 Musée de Kunsthistorisches, Vienne. Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia).
ID de tableau:: 29870
The Baptism of Christ LeBaptême de Christ mk67
Oil on panel
65 1/8x38 3/16in
mk67 Pétrole sur le panneau 65 1/8x38 3/16in Italian Mannerist Painter, 1535-1607
ID de tableau:: 29897
The Baptism of Christ Le Baptême de Christ mk67
Oil on canvas
77 3/16x52 3/8in
Pitti,Palatine Gllery
mk67 Pétrole sur le canevas 77 3/16x52 3/8in Pitti,Palatine Gllery Italian Mannerist Painter, ca.1528-1588
ID de tableau:: 33381
The Baptism of Christ Le Baptême de Christ mk86
c.1440-1450
Tempera on wood
168x116cm
London,National Gallery mk86 c.1440-1450 Détrempe sur le bois 168x116cm Londres, la Galerie Nationale Italian Early Renaissance Painter, ca.1422-1492
ID de tableau:: 33396
The Baptism of Christ Le Baptême de Christ mk86
c.1475
Tempera on wood
177x151cm
Florence,
Galleria degli Uffizi.
mk86 c. 1475 Détrempe sur le bois 177x151cm Florence, Galleria degli Uffizi. Italian Early Renaissance Sculptor, ca.1435-1488
b.c. 1460, Oudewater, Neth.
d.Aug. 13, 1523, Bruges
Flemish
Gerard David Locations
ID de tableau:: 33532
The Baptism of Christ Le Baptême de Christ mk86
c.1505
Oil on wood
128x97cm
Bruges,Groeningemuseum
mk86 c. 1505 Pétrole sur le bois 128x97cm Bruges, Groeningemuseum b.c. 1460, Oudewater, Neth.
d.Aug. 13, 1523, Bruges
Flemish
Gerard David Locations
ID de tableau:: 33576
The Baptism of Christ Le Baptême de Christ mk86
c.1623
Oil on canvas
263.5x186.5cm
Vienna,Kunsthistorisches Museum
mk86 c. 1623 Pétrole sur le canevas 263.5x186.5cm Vienne, le Musée de Kunsthistorisches Italian Baroque Era Painter, 1575-1642
ID de tableau:: 38110
The Baptism of Christ Le Baptême de Christ mk131
1847 Painted by official assignment for the baptismal chapel of San Nicolas of Chardonnet, in Paris, Is one of the
scarce incursions of corot in to painting decorative. mk131 1847 Peint par la tâche officielle pour la chapelle de baptême de San Nicolas de Chardonnet, à Paris, Est une des incursions rares de corot dans à peignant décoratif. French Realist Painter ,
1796-1875
ID de tableau:: 40192
The Baptism of Christ Le Baptême de Christ mk156
1445
Tempera on panel
167x116cm
National Gallery,
London
mk156 1445 Détrempe sur lambrise 167x116cm Galerie Nationale, Londres Italian Early Renaissance Painter, ca.1422-1492
ID de tableau:: 40228
The Baptism of Christ Le Baptême de Christ mk156
c.1470
Oil on panel
177x151cm
mk156 c. 1470Pétrole sur lambrise 177x151cm Italian Early Renaissance Sculptor, ca.1435-1488
Flemish painter (b. ca. 1480, Bouvignes, d. 1524, Antwerpen).
ID de tableau:: 40307
The Baptism of Christ Le Baptême de Christ mk156
c.1515
OIl on oak
59.7x76.3cm
mk156 c. 1515 PETROLEsur le chêne 59.7x76.3cm Flemish painter (b. ca. 1480, Bouvignes, d. 1524, Antwerpen).
ID de tableau:: 41775
The Baptism of Christ Le Baptême de Christ mk165
Saint Catherine Monastery
Mount Sinai
Egypt
l~Egypte de Mont Sinaï de Monastère de Catherine de Saint de mk165
ID de tableau:: 50882
The Baptism of Christ mk216
Today piero is widely regarded as the greatest painter of the mid-15th century
Italian Early Renaissance Painter, ca.1422-1492
ID de tableau:: 52744
The Baptism of Christ mk223
today piero is wiely regarded as the greatest painter of the mid-15th century
Italian Early Renaissance Painter, ca.1422-1492
Italian High Renaissance Painter and Inventor, 1452-1519
ID de tableau:: 58583
The Baptism of Christ The Baptism of Christ (1472?C1475)??Uffizi, by Verrocchio and Leonardo Italian High Renaissance Painter and Inventor, 1452-1519
ID de tableau:: 63050
The Baptism of Christ 1661 Ceiling fresco Conventual Church of St. John, Valletta, Malta Artist: PRETI, Mattia Painting Title: The Baptism of Christ , 1651-1700 Painting Style: Italian , , religious Italian Baroque Era Painter, 1613-1699
ID de tableau:: 64775
The Baptism of Christ Oil on canvas Mus?e du Louvre, Paris , CORNELIS VAN HAARLEM , The Baptism of Christ , 1551-1600 , Dutch , painting , religious
ID de tableau:: 73430
The Baptism of Christ ca. 1475(1475)
Oil on panel
177 X 151 cm (69.68 X 59.45 in)
cjr Italian Early Renaissance Sculptor, ca.1435-1488
ID de tableau:: 81516
The Baptism of Christ Oil on wood, 177 x 151 cm
Date between 1472(1472) and 1475
cjr Italian Early Renaissance Sculptor, ca.1435-1488
ID de tableau:: 81520
The Baptism of Christ Oil on wood, 177 x 151 cm
Date between 1472(1472) and 1475
cjr Italian Early Renaissance Sculptor, ca.1435-1488
(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter.
Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni.
In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
ID de tableau:: 82983
The Baptism of Christ xThe Baptism of Christx, oil on canvas, State Hermitage Museum, St. Petersburg
Date 1630 - 35
cjr (March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter.
Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni.
In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
ID de tableau:: 87743
The Baptism of Christ Date 1655(1655)
Medium Oil on canvas
Dimensions Height: 233.2 cm (91.8 in). Width: 160.1 cm (63 in).
cjr Spanish
1618-1682
Bartolome Esteban Murillo Galleries
(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter.
Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni.
In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
ID de tableau:: 88769
The Baptism of Christ 1630-35
Medium Oil on canvas
cyf (March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter.
Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni.
In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
